week 11- indoor environmental quality
The indoor environmental quality PowerPoint covers two things that are easy to overlook. Acoustics and indoor air both affect the health, safety, and welfare of the people inside a building. The scripture for the week, Leviticus 14:33-48, describes a house with a harmful condition that is inspected, has affected materials removed, and is then re-evaluated.
Indoor air quality was the part that connected most to our job as designers. It is affected by many factors, including the HVAC system, interior materials, furniture, fixtures, and equipment, moisture in the building, volatile organic compounds, and pollutants like mold, radon, and cigarette smoke. That makes our material choices part of the air people breathe. Poor air quality can cause symptoms ranging from irritated eyes to dizziness, fatigue, and asthma. Sick Building Syndrome, Building Related Illness, and Legionnaire’s disease showed that these problems can be serious and not just uncomfortable. Specifying materials that support good air quality is one of the most direct ways a designer can protect occupants.
Sound travels between spaces through openings, materials, windows, and structure-borne sound, and noise is simply unwanted sound. I also learned that the limit of human comfort is about 110-120 decibels. Controlling it comes down to how a room is designed. Sound waves travel directly through wall studs from one room to another, so staggered studs can disrupt them. Room volume matters too. Designers keep it low when they want a short reverberation time, and larger volumes are better for spaces like performance halls.
For offices, I took away that placement is a big part of speech privacy. The sound transmission diagrams showed poor, better, and best placement. Sound masking and varying partition heights can help meet a client’s privacy needs. On the sustainability side, acoustical clouds and canopies can address noise and privacy issues without building extra walls.
For the different design responses, the acoustical cloud was my favorite. It handles noise and privacy in one piece without changing the walls, and it brings attention to the ceiling plane. For a commercial example, I liked the staggered stud partition. It solves a technical problem inside the wall, where no one sees it, and it keeps adjoining rooms from hearing each other. The last example was choosing low-emitting materials. It is a quiet decision, but it affects the health of everyone who uses the space for years, and LEED rewards it for both acoustics and indoor air quality.


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